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End-of- residency solo exhibition
10.01 - 23.02.2025, Billytown, The Hague 


Photo jhoeko




A friend once told me that  Camera Piena Camera Vuota (Full Room Empty Room) sounds like a jingle. For me, it resembled a moment filled with many doubts. United by a sense of resistance and resilience, memory and erasure, these works navigate the space guided by (the idea of) traces or impressions as fossils, that are capable of telling stories and preserving memories whilst also revealing feelings like fear or anguish. They try to foster a dialogue between the personal and the political, the tangible and the intangible, prompting questions about how today’s reality is perceived, consumed, and what remains in its aftermath.

Much like threads in a spider's web, each single piece responds to one another. However, this ‘response’ does not necessarily imply interconnectedness. Instead, it resembles a dialogue, where individual voices follows their own path, yet they do contribute to a broader narrative.






9 Possible Scenarios (2024)
Series of 9 posters
Riso print on Arena Natural Smooth paper
300  g/m2, 29,7 x 42 cm
                   


Supported by Mondriaan Fonds and Stichting Gerbrandy Cultuurfonds.






 
          Poster by Eva van Bemmelen








Camera Piena Camera Vuota (2025)
Exhibition view, Billytown, The Hague






9 Possible Scenarios (2024)
Series of 9 posters
Riso print on Arena Natural Smooth paper
300  g/m2, 29,7 x 42 cm





9 Possible Scenarios (2024), installation view, detail




The Sleeper (2024)
Walls torn off and mounted onto linen canvases 
5 baby mattresses
60 x 53 x 8,5 cm 60 x 120 x 10 cm 





There is no Home, like place (2024-2025)
Walls torn off and mounted onto linen  and cotton canvases
Variable dimensions




There is no Home, like place (2024-2025)
 Walls torn off and mounted onto linen  and cotton canvases
 Variable dimensions









Installation view, detail





Bird (2024)
Installation view, detail




Installation view, detail





Installation view, detail





Installation view, detail






Installation view, detail





Kandra, (2024)
Single-channel audio 00:37 sec (loop every 10 minutes)
Mobile trolley speaker 






Lucciola (2024)
UV-phosphorescent pigments painted on walls fragments. UV portable flashlight
Approximately 8,5 x 4,6 cm 







What Should I bring to the Table? 2024
Images from CGTNWorld and Al Jazeera News during the month of July 2024
UV-phosphorescent pigments painted on the residency desk
120 x 60 cm 2 x 2,5 cm each painting  



Locked Out In (2024-2025)
Images from AI Jazeera News and Palestinians instagram stories
UV-phosphorescent pigments painted on the gallery walls
Approximately 2 x 2,5 cm each painting  






Locked Out In (2024-2025)
Images from AI Jazeera News and Palestinians instagram stories
UV-phosphorescent pigments painted on the gallery walls
Approximately 2 x 2,5 cm each painting  






Locked Out In (2024-2025)
Images from AI Jazeera News and Palestinians instagram stories
UV-phosphorescent pigments painted on the gallery walls
Approximately 2 x 2,5 cm each painting  






Locked Out In (2024-2025)
Installation view, detail.






Installation view, details





Installation view, details





Installation view, details


 
©2025 Giorgia Lo Faso                                                                                         INDEX