A friend once told me that  Camera Piena Camera Vuota (Full Room Empty Room) sounds like a jingle. For me, it resembled a moment filled with many doubts. United by a sense of resistance and resilience, memory and erasure, these works navigate the space guided by (the idea of) traces or impressions as fossils, that are capable of telling stories and preserving memories whilst also revealing feelings like fear or anguis. They try to foster a dialogue between the personal and the political, the tangible and the intangible, prompting questions about how today’s reality is perceived, consumed, and what remains in its aftermath.

Much like threads in a spider's web, each single piece responds to one another. However, this ‘response’ does not necessarily imply interconnectedness. Instead, it resembles a dialogue, where individual voices follows their own path, yet they do contribute to a broader narrative.

Supported by Mondriaan Fonds and Stichting Gerbrandy Cultuurfonds
















9 Possible Scenarios (2024)
Series of 9 posters
Riso print on Arena Natural Smooth paper
300  g/m2, 29,7 x 42 cm









The Sleeper (2024)
Walls torn off and mounted onto linen canvases 
5 baby mattresses
60 x 53 x 8,5 cm 60 x 120 x 10 cm 




There is no Home, like place (2024-2025)
Walls torn off and mounted onto linen  and cotton canvases
Variable dimensions






There is no Home, like place (2024-2025)
 Walls torn off and mounted onto linen  and cotton canvases
 Variable dimensions




















Bird (2024)
Installation view, detail



















Installation view, detail




Kandra, (2024)
Single-channel audio 00:37 sec (loop every 10 minutes)
Mobile trolley speaker 




Lucciola (2024)
UV-phosphorescent pigments painted on a wall debris. UV portable flashlight.
Approximately 8,5 x 4,6 cm 
 




What Should I bring to the Table? 2024
Images from CGTNWorld and Al Jazeera News during the month of July 2024
UV-phosphorescent pigments painted on the residency desk
120 x 60 cm 2 x 2,5 cm each painting  








Locked Out In (2024-2025)
Images from AI Jazeera News and Palestinians instagram stories
UV-phosphorescent pigments painted on the gallery walls
Approximately 2 x 2,5 cm each painting  






Locked Out In (2024-2025)
Images from AI Jazeera News and Palestinians instagram stories
UV-phosphorescent pigments painted on the gallery walls
Approximately 2 x 2,5 cm each painting  





Locked Out In (2024-2025)
Images from AI Jazeera News and Palestinians instagram stories
UV-phosphorescent pigments painted on the gallery walls
Approximately 2 x 2,5 cm each painting
 




Locked Out In (2024-2025)
Installation view






Installation view, detail





Installation view, detail








Installation view, detail

 
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