FIGURINE PICCOLE FIGURE
Series of 100 watercolors painted onto the walls of my room;
torn off, and mounted onto linen canvases. 1,5 x 1 cm each. Dimensions variable
Graduation project Scaffolding Scaffolding
BAK basis voor actuele kunst, Utrecht
Curated by Rachael Rakes. Photo Lin Chun Yao
2020-2022
Series of 100 watercolors painted onto the walls of my room;
torn off, and mounted onto linen canvases. 1,5 x 1 cm each. Dimensions variable
Graduation project Scaffolding Scaffolding
BAK basis voor actuele kunst, Utrecht
Curated by Rachael Rakes. Photo Lin Chun Yao
2020-2022
Starting from the question “Can I carry a studio in a backpack?”, and using painting as method, I explore the relation between the reproduction of digital images (reproduced to the exact same size as the digital screen of
the original), the representation of the self (depicted in the images), the medium and the physical space I inhabit.
Small watercolor depictions of myself appear to be walking, jumping and hiding, exploring the architecture of their temporary dwelling. The depictions, which were extrapolated from a selection of smartphone images, seem to disappear through holes, cracks, crevices, and into the texture of the wall plaster itself.
The realization that my current home will be demolished in the near future, pushed me to delve deeper into
the concepts of studio and space, which resulted in the idea to use my room as both studio and artwork.
The room was subdivided into sections and the watercolors were torn off the wall by means of strappo, a
technique applied in the field of art conservation in which the topmost layer of plaster, which has absorbed the pigments of the painted surface, is lifted and removed, after which it is applied to a new support.
The whole work took me two years.
the original), the representation of the self (depicted in the images), the medium and the physical space I inhabit.
Small watercolor depictions of myself appear to be walking, jumping and hiding, exploring the architecture of their temporary dwelling. The depictions, which were extrapolated from a selection of smartphone images, seem to disappear through holes, cracks, crevices, and into the texture of the wall plaster itself.
The realization that my current home will be demolished in the near future, pushed me to delve deeper into
the concepts of studio and space, which resulted in the idea to use my room as both studio and artwork.
The room was subdivided into sections and the watercolors were torn off the wall by means of strappo, a
technique applied in the field of art conservation in which the topmost layer of plaster, which has absorbed the pigments of the painted surface, is lifted and removed, after which it is applied to a new support.
The whole work took me two years.

Installation views

Installation view, detail

Installation view
Photo Naomi Moonlion

The door
190 x 55 cm
Installation view

Blue corner
32 x 31 cm
Installation view
Self-publication, newspaper. Printed on recicled paper, 55gsm, 12 pages

The column
185 x 90 cm
Installation view

The line
192 x 24 cm
Installation view

